| L.L. Cuddy |
Musical Rules and Pitch Judgement |
E |
10 |
2 |
1982 |
Avr |
40 |
| L.L. Cuddy; P.A. Dobbins |
Octave Discrimination: Temporal and Contextual Effects |
E |
16 |
3 |
1988 |
Juil |
3 |
| W.R. Steinke; L.L. Cuddy; R.R. Holden |
Perception of Musical Tonality as Assessed by the Probe-Tone Method |
E |
21 |
3 |
1993 |
Sept |
85 |
| F.A. Russo; A. Galembo; L.L. Cuddy |
Evaluation of Perceived Tonality Across the Musical Pitch Range |
E |
25 |
3 |
1997 |
Sept |
35 |
| N.A. Smith; L.L. Cuddy |
Patterns of Tension/Relaxation in Music: A Consideration of Psychoacoustic and Cognitive Influences |
E |
25 |
3 |
1997 |
Sept |
38 |
| M.E. Lantz; L.L. Cuddy |
Total and Relative Duration as Cues to Surface Structure in Music |
E |
26 |
3 |
1998 |
Sept |
56 |
| R.K. Jamieson; L.L. Cuddy |
Song Memory: Are Text and Tune Asymmetrically Related in Recognition Memory? |
E |
29 |
3 |
2001 |
Sept |
112 |
| M.E. Lantz; L.L. Cuddy |
Acoustic Parameters as Cues to Judgments of Happy and Sad Emotions in Music |
E |
30 |
3 |
2002 |
Sept |
164 |
| M.E. Lantz; L.L. Cuddy |
Can Silence Affect Perception?: Duration and Frequency of Occurrence in Perceived Pitch Structure |
E |
34 |
3 |
2006 |
Sept |
38 |